The Sounds of VTech

Tag: Madlib

A Timeless Sneak Peek Video + Download: YEKERMO SEW

by Joy on Mar.15, 2010, under Behind the Scenes, Mochilla, Timeless, Video

FULL SCREEN
The Sounds of VTech / Yekermo Sew Trailer

Ethiopian, Mulatu Astatke is a giant in African music.  He is the inventor of Ethio-jazz.  His work has inspired many imitations, many admirers, and a whole new generation of fans.  His music veers from the sublime tezetas to the most foot stomping funk.

The award winning and invaluable Ethiopiques series has shed a light into a vital and amazing music scene that existed in Addis Ababa in the 60s. The composer/arranger of that era was Mulatu Astatke.

On February 1st, during the first concert in the Timeless Series brought to you by Mochilla and VTech, he blessed the sold-out Luckman Theater with an amazing show. He shared the stage with veterans of the Los Angeles jazz scene, Bennie Maupin, Azar Lawrence, and Phil Ranelin. The performance was beautiful- showcasing many classics (like Yekermo Sew featured here) as well as some new material.

Nas, Damian Marley, Cut Chemist, Quantic, Oh No, Madlib, and K’naan all have felt the influence of Ethio-Jazz- this Timeless Sneak Peek honors Mulatu and his music.

Line-Up

Mulatu Astatke - Vibraphone, Percussion

Brandon Coleman - Electric and Acoustic Piano, Organ

Bennie Maupin - Bass Clarinet, Flute, Soprano Sax

Azar Lawrence - Tenor Sax

Phil Ranelin - Trombone

Joel Yennior - Trombone

Todd Simon - Trumpet, Flugelhorn

Miguel Atwood-Ferguson - Viola

Dan Ubick - Electric and Acoustic Guitar

Trevor Ware - Electric and Upright Bass

Tony Austin - Trap Drums

Alan Lightner - Percussion

Munyungo Jackson - Hand Drums and Percussion


Right Click to Download:  Yekermo Sew

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Music Does Exist in Los Angeles

by Joy on Nov.08, 2009, under Events, Mochilla, Photo, Timeless, VTech

On Friday, the crowds were out in droves with open hearts and open minds to experience a night of amazing music. And what a line-up VTech and Mochilla had in store for that evening!! Miguel Atwood-Ferguson, the young musical genius behind “Suite For Ma Dukes” and his ensemble, DJs Madlib, B+, and Coleman, and last but not least, the headliners, The Hypnotic Brass Ensemble

One by one as each act took the stage, the crowd cheered them on with equal enthusiasm. From Madlib’s spacey set inspired by Sun Ra which featured a lot of new music to Miguel and his amazing group of musicians, the nods of approval from the audience could be seen by everywhere.  And before we knew it, it was time for the musical brothers from Chicago to take the stage. With their infectious upbeat hip-hop influenced sound, the HBE came out of swinging, and the crowd was enthralled. Among the scores of admirers who were there to bear witness to it all were musicians Flea, the bassist from Red Hot Chili Peppers, Phil Ranelin, American jazz and experimental trombonist, MF Doom, MED, and more. And though the HBE performed an amazing live set, living up to their well-deserved hype,  one moment stood out from the rest. Miguel Atwood-Ferguson returned to the stage to perform “Scrabble,” a song in tribute to Dilla, with the HBE, and the energy in the Echoplex was electric.

It is truly incredible to think that in one evening you had kids cheering for a viola solo, a DJ set and a brass ensemble all in same setting. It’s moments like that fill me utter and complete joy that real music is still being created, performed, supported, and most of all, appreciated by fans new and old.

Thank you Los Angeles, Mochilla, Miguel, Madlib, B+, Coleman, the HBE, and all the fans who come out to our events. We couldn’t have done it without you.

*photos by Mike Park


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This Friday, The Only Place You Need To Be Is With Us…

by Joy on Nov.05, 2009, under Concerts & Tours, Events, Mochilla, VTech

13839_166536441028_545881028_2937882_7118207_nTHE HYPNOTIC BRASS ENSEMBLE IS HERE!

Only VTech and Mochilla are bringing it to you live and direct this Friday, November 6th,  at the Echoplex.

Limited presale tickets available online at: http://www.ticketweb.com

Live Performances by:

Hypnotic Brass Ensemble
Miguel Atwood-Ferguson Ensemble

DJ Sets from:
Madlib
Coleman
B+

The Echoplex
1154 Glendale Blvd.
Los Angeles Ca 90026

$15 presale :: $20 at the door
Limited presale tickets available online at: http://www.ticketweb.com

21 + wiser | 9pm-2am

Dig Deeper…

Hypnotic Brass Ensemble

13839_166536426028_545881028_2937881_7826923_n
Hypnotic Brass Ensemble

Hypnotic Brass Ensemble are a family, literally. They are the heirs to the great musical tradition of Chicago. Their father Phil Cohran trained them from aged three to play hard, fast and together. They boast a fan base as wide and eclectic as Barack Obama, David Byrne, Q-Tip, Jay-Z, Erykah Badu, Jools Holland and thousands more. Now with the news that they along with Mos Def and drummer extraordinaire Tony Allen will form the new Gorillaz outfit, you realize that this is no ordinary collective. 

The Hypnotic Brass Ensemble (HBE), a band comprised of eight brothers, all sons of Sun Ra trumpeter and songwriter Phil Cohran, have been playing since they were three years of age and have inherited a lineage deeper than most bands will ever attain. Raised on the south side of Chicago, their musical heritage is rooted in their genes. They have brothers and sisters that are professional musicians, their mothers are singers and their father, Phil Cohran, a legendary visionary and teacher has music experiences from the 1940s in St. Louis to his seminal role with Sun Ra in Chicago in the 1950s. 

As Sun Ra moved to the east coast in 1960, Cohran stayed behind in Chicago to be with his family. As his children grew, Cohran worked as a musical activist and educator, which led to the establishment of the Sun Ark in a warehouse behind their family home. At night while the children slept, they would hear their father rehearsing with his band the ‘Circle of Sound.’ At six in the morning, they were awoken to practice music for several hours before going to school. From an early age they were a central part of their fathers Youth Ensemble. At night they listened to NWA and Public Enemy, and Ice Cube and Eazy-E were their heroes. 

By the end of the nineties, with everyone out of school, they concentrated on their music full time. With a mix of their jazz roots and their hip-hop sensibility, they made a living for themselves on the streets of Chicago. While performing on a subway platform, they stumbled upon their name when a man who watched them for hours, missing train after train, proclaimed that he has been “hypnotized” by their music. With their composer skills aiding them to create a sound wholly their own, the group moved to New York City where they played with Mos Def and Erykah Badu. 

From a chance encounter in November of 2005, and support from numerous artists, the Hypnotic Brass Ensemble has released an album brimming with musical magic. Recorded on the back of the Africa Express trip to Lagos last October, during a three-day stop-over in London, with the drummer’s stool shared by Malcolm Catto from the The Heliocentrics, Sola Akingbola from Jamiroquai, and the one and only Tony Allen, and other musical luminaries Flea and Paul Simenon, this album is all that is cracked up to be and more.

In May 2009, Blur and Gorillaz’s frontman Damon Alburn’s Honest Jon label dropped the Hypnotic’s first official full length studio album to accolades the music world over. With the sound, form, and structure in their musicianship and songwriting, the HBE have the ability to put on live shows that would put veteran bands to shame. 

Miguel Atwood-Ferguson

Born into a highly intellectual and creative family that exposed him to everything from classical to Motown to Jazz, Miguel Atwood-Ferguson has been dedicated to music literally his entire life. At age four while on a visit to a Suzuki Program Institute his brother was attending, Miguel was introduced to the violin and immediately developed an affinity towards it. He began composing at 12 and after high school studied classical viola performance at USC. 

Taking an unusual route for a string player, Miguel has been adamant about pursuing deeply involving and creative roles in the music making process such as composing, writing and producing original pieces. He has recorded with a vast array of legendary musicians from Ray Charles to Billy Higgins; he has performed with Stevie Wonder and at the Grammy’s, on MTV and BET.

In 2008 he took on the daunting task of adapting the late J Dilla’s music to the orchestral format and made his debut as a conductor at the Timeless: A Suite For Ma Dukes concert where he directed an orchestra performing his Dilla-inspired compositions. One of the most unique qualities about Miguel is hisinherent need to challenge himself and master new terrains, he has various different groups he performs with and one day he hopes to build his own orchestra.

Madlib

Madlib is one of the most ambitious and engaging figures in modern hip-hop history. An enthusiastic crate-digger and multi-instrumentalist with a deep reverence for jazz and soul, Madlib has an expansive style and deft touch for composition that makes him one of hip hops most sought-after producers. 

He began his career with hip-hop trio Lootpack, who debuted on Tha Alkoholiks’ 1993 album 21 & Over; but, it is through his decade-long relationship with Stones Throw Records that he diversified his musical output. Often shying away from the limelight, many of his releases have been under various aliases. 

In 2000, he released The Unseen under the guise of his alter-ego, Quasimoto. He followed up a year later with Yesterdays New Quintet, a project that infused his exploration of jazz with electronic style and hip-hop substance. 

Since 2003, Madlib has put out several releases reflecting his growing versatility: Shades of Blue, a jazz remix project for Blue Note; Champion Sound with J Dilla under the name Jaylib; and Madvillainy, his partnership with MF Doom. In 2008, he released Sujinho under the name Jackson Conti a collaboration based around Brazilian percussionist Ivan “Mamão” Conti on Mochilla. 

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Click here for LIMITED PRESALE TICKETS

hypno-fly-black

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On November 6th, the Hypnotic Brass Ensemble Comes To L.A.

by Joy on Nov.01, 2009, under Events, Mochilla, VTech

On November 6th, there’s only one place you need to be….. That’s with us.

VTech and Mochilla are proud to bring you…

hypno-fly-black

Live Performances by:

Hypnotic Brass Ensemble

Miguel Atwood-Ferguson Ensemble

DJ Sets from:

Madlib
Coleman
B+

The Echoplex
1154 Glendale Blvd.
Los Angeles, CA 90026

$15 presale :: $20 at the door

Presale tickets available online at: http://www.ticketweb.com

21 + wiser | 9pm-2am


Dig Deeper…

Hypnotic Brass Ensemble


Hypnotic Brass Ensemble are a family, literally. They are the heirs to the great musical tradition of Chicago. Their father Phil Cohran trained them from aged three to play hard, fast and together. They boast a fan base as wide and eclectic as Barack Obama, David Byrne, Q-Tip, Jay-Z, Erykah Badu, Jools Holland and thousands more. Now with the news that they along with Mos Def and drummer extraordinaire Tony Allen will form the new Gorillaz outfit, you realize that this is no ordinary collective.

The Hypnotic Brass Ensemble (HBE), a band comprised of eight brothers, all sons of Sun Ra trumpeter and songwriter Phil Cohran, have been playing since they were three years of age and have inherited a lineage deeper than most bands will ever attain. Raised on the south side of Chicago, their musical heritage is rooted in their genes. They have brothers and sisters that are professional musicians, their mothers are singers and their father, Phil Cohran, a legendary visionary and teacher has music experiences from the 1940s in St. Louis to his seminal role with Sun Ra in Chicago in the 1950s.

As Sun Ra moved to the east coast in 1960, Cohran stayed behind in Chicago to be with his family. As his children grew, Cohran worked as a musical activist and educator, which led to the establishment of the Sun Ark in a warehouse behind their family home. At night while the children slept, they would hear their father rehearsing with his band the ‘Circle of Sound.’ At six in the morning, they were awoken to practice music for several hours before going to school. From an early age they were a central part of their father’s Youth Ensemble. At night they listened to NWA and Public Enemy, and Ice Cube and Eazy-E were their heroes.

By the end of the nineties, with everyone out of school, they concentrated on their music full time. With a mix of their jazz roots and their hip-hop sensibility, they made a living for themselves on the streets of Chicago. While performing on a subway platform, they stumbled upon their name when a man who watched them for hours, missing train after train, proclaimed that he has been “hypnotized” by their music. With their composer skills aiding them to create a sound wholly their own, the group moved to New York City where they played with Mos Def and Erykah Badu.

From a chance encounter in November of 2005, and support from numerous artists, the Hypnotic Brass Ensemble has released an album brimming with musical magic. Recorded on the back of the Africa Express trip to Lagos last October, during a three-day stop-over in London, with the drummer’s stool shared by Malcolm Catto from the The Heliocentrics, Sola Akingbola from Jamiroquai, and the one and only Tony Allen, and other musical luminaries Flea and Paul Simenon, this album is all that is cracked up to be and more.

In May 2009, Blur and Gorillaz’s frontman Damon Alburn’s Honest Jon label dropped the Hypnotic’s first official full length studio album to accolades the music world over. With the sound, form, and structure in their musicianship and songwriting, the HBE have the ability to put on live shows that would put veteran bands to shame.



The New Yorker: Hypnotic Brass Ensemble Documentary:

http://www.newyorker.com/online/blogs/sashafrerejones/2009/06/hypnotized.html

Miguel Atwood-Ferguson


Born into a highly intellectual and creative family that exposed him to everything from classical to Motown to Jazz, Miguel Atwood-Ferguson has been dedicated to music literally his entire life. At age four while on a visit to a Suzuki Program Institute his brother was attending, Miguel was introduced to the violin and immediately developed an affinity towards it. He began composing at 12 and after high school studied classical viola performance at USC.

Taking an unusual route for a string player, Miguel has been adamant about pursuing deeply involving and creative roles in the music making process such as composing, writing and producing original pieces. He has recorded with a vast array of legendary musicians from Ray Charles to Billy Higgins; he has performed with Stevie Wonder and at the Grammy’s, on MTV and BET.

In 2008 he took on the daunting task of adapting the late J Dilla’s music to the orchestral format and made his debut as a conductor at the Timeless: A Suite For Ma Dukes concert where he directed an orchestra performing his Dilla-inspired compositions. One of the most unique qualities about Miguel is his inherent need to challenge himself and master new terrains, he has various different groups he performs with and one day he hopes to build his own orchestra.

Madlib


Madlib is one of the most ambitious and engaging figures in modern hip-hop history. An enthusiastic crate-digger and multi-instrumentalist with a deep reverence for jazz and soul, Madlib has an expansive style and deft touch for composition that makes him one of hip hop’s most sought-after producers.

He began his career with hip-hop trio Lootpack, who debuted on Tha Alkoholiks’ 1993 album 21 & Over; but, it is through his decade-long relationship with Stones Throw Records that he diversified his musical output. Often shying away from the limelight, many of his releases have been under various aliases.

In 2000, he released The Unseen under the guise of his alter-ego, Quasimoto. He followed up a year later with Yesterdays New Quintet, a project that infused his exploration of jazz with electronic style and hip-hop substance.

Since 2003, Madlib has put out several releases reflecting his growing versatility: Shades of Blue, a jazz remix project for Blue Note; Champion Sound with J Dilla under the name Jaylib; and Madvillainy, his partnership with MF Doom. In 2008, he released Sujinho under the name Jackson Conti—a collaboration based around Brazilian percussionist Ivan “Mamão” Conti on Mochilla.

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VTech and Mochilla Present: Hypnotic Brass Ensemble!!!

by Joy on Oct.28, 2009, under Events, Mochilla, VTech

hypno-fly-black

VTech and Mochilla present:

 

Friday November 6th, 2009

 

Live Performances by:

HYPNOTIC BRASS ENSEMBLE

Hypnotic Brass Ensemble

Hypnotic Brass Ensemble

 

 

 

MIGUEL ATWOOD-FERGUSON QUINTET

 

DJ Sets from:

MADLIB

COLEMAN

B+

 

Hosted by:

ALOE BLACC

 

The Echoplex

1154 Glendale Blvd.

Los Angeles Ca 90026

 

$15 presale :: $20 at the door

Presale tickets available at the Mochilla HQ’s from 1pm-7pm  [4124 Verdugo Rd, Los Angeles, CA 90065]

 

and online [click: HERE]

21 + wiser | 9pm-2am

 

Dig Deeper…

Hypnotic Brass Ensemble are a family, literally. They are the heirs to the great musical tradition of Chicago. Their father Phil Cohran trained them from age three to play hard, fast and together. They boast a fan base as wide and eclectic as Barack Obama, David Byrne, Q-Tip, Jay-Z, Erykah Badu, Jools Holland and thousands more. Now with the news that they along with Mos Def and drummer extraordinaire Tony Allen will form the new Gorillaz outfit, you realize that this is no ordinary collective.

 

The Hypnotic Brass Ensemble (HBE), a band comprised of eight brothers, all sons of Sun Ra trumpeter and songwriter Phil Cohran, have been playing since they were three years of age and have inherited a lineage deeper than most bands will ever attain. Raised on the south side of Chicago, their musical heritage is rooted in their genes. They have brothers and sisters that are professional musicians, their mothers are singers and their father, Phil Cohran, a legendary visionary and teacher has music experiences from the 1940s in St. Louis to his seminal role with Sun Ra in Chicago in the 1950s.

 

As Sun Ra moved to the east coast in 1960, Cohran stayed behind in Chicago to be with his family. As his children grew, Cohran worked as a musical activist and educator, which led to the establishment of the Sun Ark in a warehouse behind their family home. At night while the children slept, they would hear their father rehearsing with his band the ‘Circle of Sound.’ At six in the morning, they were awoken to practice music for several hours before going to school. From an early age they were a central part of their father’s Youth Ensemble. At night they listened to NWA and Public Enemy, and Ice Cube and Eazy-E were their heroes.

 

By the end of the nineties, with everyone out of school, they concentrated on their music full time. With a mix of their jazz roots and their hip-hop sensibility, they made a living for themselves on the streets of Chicago. While performing on a subway platform, they stumbled upon their name when a man who watched them for hours, missing train after train, proclaimed that he has been “hypnotized” by their music. With their composer skills aiding them to create a sound wholly their own, the group moved to New York City where they played with Mos Def and Erykah Badu.

 

From a chance encounter in November of 2005, and support from numerous artists, the Hypnotic Brass Ensemble has released an album brimming with musical magic. Recorded on the back of the Africa Express trip to Lagos last October, during a three-day stop-over in London, with the drummer’s stool shared by Malcolm Catto from the The Heliocentrics, Sola Akingbola from Jamiroquai, and the one and only Tony Allen, and other musical luminaries Flea and Paul Simenon, this album is all that is cracked up to be and more.

 

 In May 2009, Blur and Gorillaz’s frontman Damon Alburn’s Honest Jon label dropped the Hypnotic’s first official full length studio album to accolades the music world over. With the sound, form, and structure in their musicianship and songwriting, the HBE have the ability to put on live shows that would put veteran bands to shame.

 

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Where The Party Was On Saturday Night.. at NIGHTLIFE

by Joy on May.10, 2009, under Photo

This past Friday, the party to be at was at the Echoplex as VTech and Beat Junkie Sound brought NIGHTLIFE back to L.A.

The warm evening weather and the promise of good music brought people out in droves to celebrate NIGHTLIFE with Pete Rock. A queue began to form before the venue doors had even opened. Once inside, DJ Babu and J.Rocc warmed up the tables as the audience began to take their positions around the stage with some die hard fans never moving. 

The music was bumping, the crowd dancing, and as Friday transitioned to Saturday, Pete Rock took the stage.  The magical touch of Soul Brother #1 was instant. The cheers and applause that greeted this arrival on stage continued throughout his whole set. And while Pete handled the mic, the decks and the crowd, unsuspecting guests began to gather. The musical talent that found their way backstage and on stage to watch him and partake in the NIGHTLIFE “May Birthday Celebration” was quite noteworthy. DJ Dez (Slum Village), Chali2na (Jurassic 5), DJ NuMark (Jurassic 5), DJ Dummy (Common), Madlib, OhNo, MED, Frank Nitty (Frank N Dank), Dudley Perkins, Dan Dalton (original creator of NIGHTLIFE), Houseshoes, Illa J, Nonstop,  and many more stopped by to say hello, give a birthday shout out, and enjoy a drink or two while nodding their heads in approval to the beats they heard. 

 

 

Here’s the first of a few exclusive video clips of the evening’s events. From sets with J.Rocc and Babu to Pete Rock and the two “Rocks/Roccs” (J.Rocc and Pete Rock) working it out on the one’s and two’s. 


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